Gene Hackman: A Week with the Gene Genie
July 25–31, 2025
A tribute to some of Gene Hackman’s most treasured performances, tracing the evolution of the man who redefined the contours of American screen acting
Arthur Penn
1967|
U.S.|
111 minutes
Arthur Penn’s genre-shattering blend of outlaw romance, countercultural satire, and shock-violence earned Gene Hackman his first Oscar nomination.
William Friedkin
1971|
U.S.|
104 minutes
Gene Hackman won his first Oscar for his now-iconic turn as Popeye Doyle, an obsessive narcotics detective barrelling through the city in pursuit of a heroin shipment.
Bill L. Norton
1971|
U.S.|
95 minutes
This portrait of L.A. burnout follows a washed-up musician (Kris Kristofferson) coerced into one last drug deal by a desperate narcotics cop, played with twitchy menace and tragic weariness by Gene Hackman.
Ronald Neame
1972|
U.S.|
117 minutes
Part religious parable, part disaster movie, The Poseidon Adventure finds Gene Hackman’s fists-first preacher leading survivors through capsized wreckage in a whirling spectacle of Oscar-winning effects.
Francis Ford Coppola
1974|
U.S.|
113 minutes
At the height of his stardom, Gene Hackman turned inward for one of his most complex roles: Harry Caul, a reclusive surveillance expert hired to record a seemingly innocuous conversation that begins to unravel him.
Mel Brooks
1974|
U.S.|
106 minutes
“Cigars!”
Arthur Penn
1975|
U.S.|
100 minutes
As Harry Moseby, a washed-up football player turned L.A. private eye, Gene Hackman gives one of his most piercing performances—combative, searching, quietly unraveling.
Woody Allen
1988|
U.S.|
81 minutes
Too often overlooked in both Hackman’s and Allen’s filmographies, Another Woman is a taut, introspective chamber piece with a devastating emotional undertow.
Alan Parker
1988|
U.S.|
128 minutes
Gene Hackman is ferocious as a former small-town sheriff turned FBI agent in Alan Parker’s blistering civil rights thriller loosely inspired by the 1964 murders of three activists in Mississippi.
Clint Eastwood
1992|
U.S.|
131 minutes
Winner of four Academy Awards including best supporting actor for Gene Hackman, Clint Eastwood’s masterwork reloaded the Western for a new era and gave Hackman one of his most emblematic roles.
Tony Scott
1995|
U.S.|
116 minutes
Gene Hackman is all bark, bite, and brinkmanship as a veteran captain facing off against Denzel Washington’s principled XO in arguably the last great showdown of the star-powered military thriller era.
Wes Anderson
2001|
U.S.|
110 minutes
Gene Hackman is riotously charming and unmistakably human in Wes Anderson’s lovingly etched comedy, one of the defining films of 21st-century American cinema.
About the SERIES
Rugged, unsentimental, and always alive to contradiction—his presence commanding, his emotional range unmistakable—Gene Hackman redefined the contours of American screen acting. Across five decades, a span that included two Academy Awards, the Marine-turned-thespian carved out a singular, uncompromising style that galvanized characters at once formidable and fallible: cops, coaches, convicts, and con men. He emerged as a vital force in the New Hollywood era with landmark performances in Bonnie and Clyde, The French Connection, and The Conversation, becoming a key architect of a more psychologically complex masculinity: explosive yet wounded, magnetic yet unpredictable. As he continued navigating the industry on his own terms, he proved just as agile in offbeat character studies (Scarecrow, Night Moves) and studio blockbusters (The Poseidon Adventure, The Firm) as he was in revisionist westerns (Unforgiven) and late-career triumphs (The Royal Tenenbaums, Heist), lending gravitas, wit, and authenticity to every role—and often grounding even the most stylized films in something raw and real. This July, Film at Lincoln Center is pleased to present a week-long tribute to some of Hackman’s most treasured performances, tracing the evolution of an actor who never struck a false note—and who, in his own words, summed up his ethos simply: “I never had the aspirations to be a star. I wanted to be an actor.”
Organized by Florence Almozini and Tyler Wilson.

I never had the aspirations to be a star. I wanted to be an actor.”
—Gene Hackman




























