Elaine May directed one of the all-time great debut features with this seminal two-hander, tender and cynical in equal measure, starring Walter Matthau as a broke playboy who sets his sights on a wealthy odd-bird botany professor (May) and plans to give her the Bluebeard treatment.

She’s a conservative Mussolini supporter; he’s a homosexual enemy of the state. But after a chance meeting, the two share a life-changing day in 1938 that will challenge their assumptions about people, politics, and sexuality. Marcello Mastroianni and Sophia Loren deliver virtuoso performances.

The true conspiracy in James Cameron’s maximalist, hardware-obsessed search-and-destroy war epic lies in the ruthless business calculus of Weyland-Yutani.

Marcello Mastroianni is an aging political revolutionary questioning his commitment to the cause of liberating the Kingdom of the Two Sicilies in this hallucinatory, 19th-century-set period oddity, which features an inspired Ennio Morricone score.

On the surface, a nostalgic film about the director’s adolescence, this film—one of Federico Fellini’s and Italian cinema’s masterpieces, and winner of the Oscar for Best Foreign Language Film—is also a sweeping anthropological portrait of fascism as a pathology of Italy.

Returning to FLC on a 70mm-blow-up print that hasn’t screened in New York City since its original theatrical run in 1989, Tim Burton’s strangely singular superhero blockbuster fundamentally redefined franchise filmmaking at the same time it imagined the nightmare version of consumer culture.

Mario Martone’s stirring drama centers on a young goatherd living on the island of Capri in 1914, alongside a commune of free-spirited Northern European artists and intellectuals who have retreated to the lush Mediterranean idyll to put their fledgling ideologies into practice.

To celebrate the 100th anniversary of Marilyn Monroe’s birth, FLC partners with Piper-Heidsieck Champagne for a special archival 35mm screening of Howard Hawks’s classic, followed by a reception with Champagne, hors d’oeuvres, and a fundraiser auction.

Directed by longtime collaborators Daniel Schmidt and Gabriel Abrantes, this dazzlingly original NYFF56 selection about a chiseled fútbol star who flees the public eye is a perversely pleasurable sendup of Brexit, genetic science, and the ongoing refugee crises.

David Lynch’s Dune remains one of the strangest monuments in American studio filmmaking. Kyle MacLachlan stars as noble heir Paul Atreides, who uncovers an imperial plot engineered to destroy his lineage.

Released by Columbia Pictures into a U.S. preoccupied with Whitewater, FBI scandals, and anti-government extremism intensified by the Oklahoma City bombing, Kenneth Branagh’s 1996 Shakespeare adaptation gave soaring, intricate poetry to institutional mistrust.

A throng of tobacco farmers working on an estate live in a state of extreme deprivation, but nothing is what it seems in Alice Rohrwacher’s transfiguring and transfixing fable, which touches on perennial class struggle and enters the realm of parable.

This clever Belle Époque Italian western turns a tour of Italy undertaken by Buffalo Bill (John C. Reilly) and his gang of cowboys into a surprising and anti-conventional depiction of the clash of capitalism, spectacle, and political power in early-20th-century Italy.

The latest documentary feature from Romanian New Wave master Corneliu Porumboiu is a hilarious and politically incisive portrait of a bureaucrat who dreams of radically revising the rules of the beautiful game, in a bid to revolutionize the world’s most popular sport.

Elaine May’s (in)famous and hilarious fourth directorial feature stars Warren Beatty and Dustin Hoffman as broke, hack musicians who agree to take a gig as the lounge band for a hotel in Marrakesh and get swept up in a gaggle of plots and machinations along the way.

Giancarlo Giannini won the Best Actor prize at the 1973 Cannes Film Festival for his turn in Lina Wertmüller’s tragicomic tale, set in the early 1930s, of an anarchist who plans to assassinate Mussolini with help from a Roman sex worker.

Articulating state-sanctioned history itself as a conspiracy, Spike Lee smuggled into his big-budget studio biopic a radical analysis of an American life that remains vital, moving, provocative, and unsparing as ever.

A disorienting, harrowing account of fighting on the Alpine Front during World War I, between 1916 and 1917, Francesco Rosi’s anti-war war film remains a gritty and chaotic provocation.

In this enveloping adaptation of a Jack London novel, Martin Eden is a dissatisfied prole with artistic aspirations who hopes that his dreams of becoming a writer will help him rise above his station and marry a wealthy young university student.

Five episodes, spanning from 1900 to 1943 through the Belle Époque and the fascist era, tell the story of Italy through romantic tales—some comic, some tragic.

Set entirely across one anxious night, Elaine May’s emotionally tremulous third feature stars John Cassavetes as a Philly gangster running for his life and Peter Falk as his childhood friend who—unbeknownst to him—is helping his pursuers.

Jordan Peele has described NOPE as a film about “our addiction to spectacle” and the “insidious nature of attention,” and its conspiracies (like the best of them) are scattered as breadcrumbs throughout his wonderful third feature.

The ostensible conspiracy involves microfilm and Soviet agents in all but name, but Hitchcock’s decision to make his lead (Cary Grant) an advertising man gives this misrecognition road-movie-farce a far more stinging message about freedom from choice in the U.S.

A group of women attempt to infiltrate a men’s-only football stadium during a World Cup qualifying game in Palme d’Or–winning director Jafar Panahi’s sharply observed social comedy, which uses humor to expose the often absurd position of women in Iranian society.

Pulse-quickening archival footage and revelatory new interviews chart the larger-than-life ascent of the charismatic “King of Soccer,” who led Brazil—then in the throes of political turmoil that would culminate in a U.S.-backed military dictatorship—to three World Cup championships.

A bittersweet and nostalgic comedy about the world of Italian bureaucracy during the Belle Époque, depicted with inspiration drawn from period illustrations and featuring cameos by numerous stars.

The film that announced Italian neorealism—and Roberto Rossellini and Anna Magnani as major forces in international cinema—this devastating look at life in Nazi-occupied Rome sent shockwaves through the world and retains its devastating, paradigm-shifting power.

In this delicate and poignantly autobiographical film from Carla Simón (Alcarràs, NYFF60), 18-year-old Marina negotiates her idealized memories of her parents, whom she lost at a young age, when she arrives in sun-kissed Galicia to meet her extended family for the first time.

The singular Cornish filmmaker Mark Jenkin (Enys Men, NYFF60) immerses the viewer in the uncanny environments of the small towns along the coast of Cornwall, here spinning a sci-fi-tinged tale of dislocation and regeneration starring George MacKay and Callum Turner.

Hong Kong screen legend Stephen Chow directs and co-stars in this high-octane, cult-favorite genre mashup, in which a down-and-out footballer joins forces with an idealistic kung fu master in hopes of leading their ragtag team of Shaolin monks to victory on the pitch.

Amanda Bynes and Channing Tatum headline this millennial rom-com classic, a Clueless-style update of Shakespeare’s Twelfth Night that follows a talented teen athlete who sets out to prove herself by joining an all-boys high school soccer team—while disguised as her twin brother.

Ildikó Enyedi (director of Oscar-nominated On Body and Soul) returns with a century-spanning triptych about lives that unfold around an ancient ginkgo tree. Featuring Tony Leung as a neuroscientist whose attempt to measure the tree’s signals tests the limits of perception, Venice Best Young Actress winner Luna Wedler, and Léa Seydoux.

Laura Samani’s solo debut feature is a richly traced drama about a woman’s efforts to resurrect her stillborn daughter, imbued with the air of an unsentimental fairy tale, and set in 1900 in the Friuli-Venezia Giulia region.

With its palindromic structure, Ludwig Göransson’s blaring score, a dense, hermetic plot, and nested conspiracies, Christopher Nolan’s “quantum Cold War thriller” is a time-travel blockbuster that arrived in a pandemic-era world already fractured by asynchronous experiences of time.

A young man becomes a bandit under fascism, but even after liberation, his thirst for justice leads the authorities to persecute him. This forgotten epic fresco of Southern Italy was censored to remove politically sensitive scenes and was not seen in its original version until 2012.

A seminal depiction of life in the age of fascism, Bernardo Bertolucci’s masterpiece, one of the great political films of its time and an enduring psychological autopsy of the fascist mindset, follows a repressed man (Jean-Louis Trintignant) who gets caught up in the hegemonic fascist regime.

A celebrated fashion designer finds it impossible to readjust to her former life after surviving a shocking plunge into an icy lake in Argentinean filmmaker Milagros Mumenthaler’s existential puzzle, a work of compelling psychological interiority.

This classic, Oscar-winning drama, set amid the rise of fascism in the 1930s, chronicles the plight of the wealthy, intellectual Finzi-Contini family, whose estate serves as a gathering place for the local Jewish community amid growing anti-Semitism.

Comedy is funnier on film. Join Olivia Wilde in person for a special sneak preview of The Invite, screening on 35mm.

Pour wine. Stir the pot. See The Invite. It’ll be fun.

Devout Muslim teenager Fatima (Cannes Best Actress winner Nadia Melliti) takes a journey of self-discovery amid her Algerian immigrant family in Paris in Hafsia Herzi’s queer coming-of-age story. Nominated for six César Awards, winner of Best Female Newcomer (Melliti).

A story of greed and disillusionment in 19th-century Tuscany, from an elegant and sophisticated director, is illuminated by contemporary insights thanks to the presence of the very young Jean-Paul Belmondo and Claudia Cardinale.

Paul Thomas Anderson’s The Master suggests, in beguiling, elliptical fashion, how a closed belief system with “secret knowledge” fed on a real hunger for coherence and consolation in post-WWII America.

A bearded and bespectacled Marcello Mastroianni gives one of his finest, most sincere performances in this rousing, up-with-the-people paean to resistance about a tense textile factory strike in turn-of-the-century Turin.

Brian De Palma transformed a TV property into a subversive crime epic showing Capone (Robert De Niro) not merely as a villain but as the visible face of an over-greased criminal system cloaked behind tailored suits, marble lobbies, opera boxes, and police badges.

A widow (Sophia Loren, in an Oscar-winning role) and her daughter find peace (and an affable Marxist played by Jean-Paul Belmondo) in the countryside during World War II, but their idyll is shattered on their way back to Rome.

At the end of World War II, the arrival of a deserter in a small mountain village disrupts the delicate balance of the community. Maura Delpero’s intimate film about a remote world offers a modern and thought-provoking take on the past and the relationships between men and women.

The life of Benito Mussolini receives one of its most probing, sophisticated treatments at the hands of Marco Bellocchio through his focus on the figure of Ida Dalser, Mussolini’s first wife, whom he abandons during his rise to power.