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AN EGYPTIAN GUY NAMED JOE
Remembering Youssef Chahine, 1926-2008
Nov 13 & 14

+ Chaos aka Chaos, This Is / Heya fawda
FRI NOV 13 at 8pm: Info & Tickets >>
+ Cairo Station, aka The Iron Gate / Bab el hadid
screening with
Cairo As Seen by Chahine / Cairo vu par Youssef Chahine
SAT NOV 14 at 6:20pm: Info & Tickets >>
+ The Land / Al-ard
SAT NOV 14 at 8:45pm: Info & Tickets >>

In July 2008, world cinema lost one of its most powerful, most passionate voices: Egyptian director Youssef Chahine. Known as Joe—a holdover from his time at the Pasadena Playhouse in the late ’40s—Chahine’s career spanned six decades and included a body of work that cast a sharp, perceptive eye on his rapidly changing nation. His opinions were controversial, and more than once, Chahine appeared in court to defend himself and his work against those who would silence him. As his final film Chaos powerfully illustrates, he forever remained a courageous fighter for what he believed was right.

In 1998, the Film Society mounted a major retrospective of Chahine’s work as part of the 36th New York Film Festival. He came then (and several other times) to Lincoln Center, always a welcome guest, full of humor and eager to discuss his work with our audiences. He would have been especially pleased to see that this brief tribute to him was scheduled during a retrospective of Italian neorealism, a movement that formed a touchstone for his own filmmaking.

Many thanks to the Consulate General of Egypt for its help in arranging this series. Here’s to you, Joe—your many fans really miss you.

To purchase tickets online click on the SHOWTIME under Buy Tickets.





Single Screening Tickets:
$7 members/students/child - $8 senior - $11 public
Online service charge: $1.25 per ticket ordered. Cash only at the box office.

MORE TICKET INFO


  Chaos aka Chaos, This Is / Heya fawda
Youssef Chahine and Khaled Youssef, France/Egypt, 2007; 126m


Scene Photo This searing, passionate film revisits one of Chahine’s favorite themes—the corruption of power when left unchecked—as a young D.A. faces off with a brutal police captain (Khaled Saleh, in a great performance) over the fate of several student protesters. Chahine again chronicles a society on a slow boil, with corruption and treachery reaching levels that can only be stopped through massive social change. Becoming increasingly ill during the final weeks of the shoot, Chahine asked his longtime collaborator to take the reins of this visual protest, which fittingly became his final work.



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FRI NOV 13: 8pm
Cairo Station, aka The Iron Gate
screening with
Cairo As Seen by Chahine

Cairo Station, aka The Iron Gate / Bab el hadid
Youssef Chaine, Egypt, 1958; 95m


Scene PhotoTroubled newspaper dealer Kinawi (Chahine, in an astonishing performance) falls in love with the beautiful but indifferent Hanuma and, swept away by his obsessive desire, kidnaps the object of his passion. A community of luggage carriers and soft-drink dealers at Cairo's main railroad station stands in for Egyptian society at large in this masterpiece, strongly marked by neorealism. Chahine explores sexuality, repression, madness, and violence with a frankness that is remarkable even today.

screening with

Cairo As Seen by Chahine / Cairo vu par Youssef Chahine
Youssef Chahine, France/Egypt, 1991; 22m
This concise masterpiece began as a commission by French television for the news series Envoyé spécial. A portrait of a city that’s also a self-portrait of the filmmaker.



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SAT NOV 14: 6:20pm
The Land / Al-ard
Youssef Chahine, Egypt, 1969; 130m

Consistently ranked among the best Egyptian films ever made, Chahine's ’60s classic was adapted from Abdel Rahman al-Sharqawi's homonymous novel about feudalism in rural regions. Eight years in the making, The Land chronicles the struggle of a small village of peasants against the careless inroads of the local large landowner, powerfully illustrating why political oppression doesn't necessarily lead to a sense of solidarity among the disenfranchised.





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SAT NOV 14: 8:45pm

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