Diane Keaton’s Oscar-winning performance as the idiosyncratic girlfriend of a neurotic New York comic helped pioneer a postmodern rom-com vernacular and cemented her status as the poster child for a new generation of women coming into their own.

Bruce Beresford’s adaptation of Beth Henley’s Pulitzer-winning play unfolds across a few days in the ancestral home of the three Magrath sisters, after the youngest (Sissy Spacek) sends shockwaves through the town when she shoots her husband in broad daylight.

Diane Keaton is quietly penetrating as the doe-eyed daughter-in-law of mafia boss Vito Corleone in Francis Ford Coppola’s improbably rich, profoundly personal meditation on family, power, violence, and the nightmarish underbelly of the American dream.

In the second installment in Francis Ford Coppola’s epic family crime saga, Diane Keaton accentuates the tragic stakes of an elemental confrontation between patriarchal legacies of violence and a mother’s fierce drive to protect her children.

Just when he thought he was out of the family business, an aging, semi-retired Michael Corleone finds himself pulled back into a mafia turf war in Francis Ford Coppola’s elegiac epilogue.

Diane Keaton’s first feature-length directorial effort is a documentary that probes humanity’s relationship to the puzzle of what happens to us after we die, featuring her conversations with an eclectic assortment of interviewees.

Woody Allen’s follow-up to Annie Hall—his first foray into full-fledged drama—concentrates on a time of crisis between three grown daughters (Diane Keaton, Kristin Griffith, and Mary Beth Hurt) after their parents’ long-struggling marriage ends abruptly in divorce.

An anti-Zionist American actress working in England (Diane Keaton) becomes entangled in an Israeli military plot to infiltrate a cell of Palestinian freedom fighters in George Roy Hill’s adaptation of the acclaimed John Le Carré novel.

A world away from the same year’s Annie Hall, Diane Keaton plays a bar-hopping schoolteacher whose story emerged as a polarizing pop-cultural touchstone in a climate of rapidly changing sexual mores.

Building on the success of their earliest collaborations, Woody Allen cast Diane Keaton as his romantic opposite in Love and Death, an inexhaustibly daffy send-up of 19th-century Russian literature.

For her third Oscar-nominated performance, Diane Keaton joins an intergenerational ensemble cast including Meryl Streep, Robert De Niro, and a young Leonardo DiCaprio for a long-overdue family reckoning in this expansive, generous meditation on love and forgiveness.

Gillian Armstrong’s first Hollywood production stars Diane Keaton as a jail warden’s wife in 1902 Pittsburgh who flees north with a pair of brother inmates after helping them escape from death row.

Diane Keaton received her second Oscar nomination, and Warren Beatty won Best Director, for this rigorous account of Russia’s October Revolution, told through the lens of the real-life love story between two radical American journalists.

Diane Keaton delivers one of the most nuanced and underrated performances of her career in this searing, brutally honest divorce drama from director Alan Parker and screenwriter Bo Goldman.

Diane Keaton received the last of four Oscar nominations for her zeitgeist-defining performance as a celebrated playwright whose long-dormant love life is suddenly thrown into disarray when she finds herself torn between two men.